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“顾绍骅的诗情画意”已成功申请微信公众号

发布者: 顾绍骅 | 发布时间: 2017-1-27 17:34| 查看数: 896| 评论数: 1|帖子模式

“顾绍骅的诗情画意”已成功申请微信公众号

顾绍骅的艺术思想:

中国画的发展必须依照“中国方式”——集中国传统文化底蕴(诗、书、画)为一体的观点——“诗情画意”是中国画的灵魂和中国画发展方向……;
如果把西方绘画比喻为“白雪”,把中国画比喻为“梅花”的话,那么宋代诗人陆梅坡的诗句便解答了二者间的关系:“梅须逊雪三分白,雪却输梅一段香”。( 诗的后两句巧妙地托出二者的长处与不足:梅不如雪白,雪没有梅香,回答了“骚人阁笔费评章”的原因,也道出了雪、梅各执一端的根据。读完全诗,我们似乎可以看出作者写这首诗是意在言外的:借雪梅的争春,告诫我们人各有所长,也各有所短,要有自知之明。取人之长,补己之短,才是正理。这首诗既有情趣,也有理趣,值得咏思。)
站在世界艺术之林里,中西方绘画并无高低之分,都是文化的产物;都是人类对大自然、人类社会的思索、表现、思考(探求)的方式而已;只是所表现方式的不同:伟大的教育家蔡元培指出:“西画近建筑(理性的),中国画近文学(感性的)。”即:西方的绘画近似建筑一般的理性——写实性强;是客观事物的模仿(描摹)。而中国画是近乎文学作品一般的个性强烈,艺术化的客观事物(超然物外、不受具体物象的束缚),因而达到“借景抒情、托物言志”的目的——来源于生活,而高于生活(是生活的提炼,是情感的宣泄)。因而,会按照中国传统文化的方式来表现。
各个画种都有自己的特点,而代表中国民族文化的中国画是具有“诗、书、画”等中国民族文化特征,这是中国画的根本;其最高境界就是诗情画意。当下不少画家以西方绘画作为中国画创作的参照,以此倡导所谓融合中西绘画以加强“视觉冲击”和写实效果。其结果造成了中国画的发展不但失去了中国文化的民族性,也一度出现了极其萧条的现象,在这种外来文化意识决定下会将中国画引入末路;因此,我们不能舍本求末,尤其是当前中国处在国际文化交流日益频繁和实现中华民族之伟大复兴的情况下,更应该加强民族文化观念,“诗情画意”应该是中国画艺术发展的大趋势。
文化自信,是一个国家、一个民族、一个政党对自身文化主体性的确认、对自身文化价值和所具有的文化优势的充分肯定,以及对自身文化生命力和文化创造力的坚定信念。习总书记在庆祝中国共产党成立95周年大会上发表重要讲话时深刻指出,“全党要坚定道路自信、理论自信、制度自信、文化自信”,并且强调“文化自信,是更基础、更广泛、更深厚的自信”。文化自信是实现中华民族伟大复兴中国梦的强大精神动力!
当下不少画家以西方绘画作为中国画创作的参照,以此倡导所谓融合中西绘画以加强“视觉冲击”和写实效果。其结果造成了中国画的发展不但失去了中国文化的民族性,也一度出现了极其萧条的现象,在这种外来文化意识决定下会将中国画引入末路;自从徐悲鸿的“将西方造型艺术融于中国画,放弃'白描’改为素描,追求'光影效果’,-------这是民族文化的不自信所造成的;这样的“民族文化自卑”已经伴随中国画一百多年了!已经使中国画的“元气”大伤了,如果不及时补救,我之国粹——中国画必将沦为西洋画的“附属品”而真正的殇夭了……!

为弘扬国粹,增强文化自信,顾绍骅申请了“顾绍骅的诗情画意”这个微信公众号;为弘扬中华传统文化而尽自己的绵薄之力,希望大家支持!谢谢啦!(可扫描下面的二维码关注)
  

2017年1月27日星期五





最新评论

顾绍骅 发表于 2017-2-10 11:45:55
本帖最后由 顾绍骅 于 2017-2-10 11:51 编辑

顾绍骅的诗情画意  创刊号  
Gu Shaohua's poetic Chinese painting  The first issue
【编者按】    为弘扬中华传统文化——天人合一、中正和谐、厚德载物、 忠孝智勇、勤劳善良、自强不息等的中国精神;“顾绍骅的诗情画意”决定采取中英文对照版的形式,争创“诗情画意”的国际品牌地位;向世界传播中华优秀传统文化!(中国书法知识、中国画的诗情画意知识、儒、释、道对中国书画的影响等等)做“高大上”,争做精品,宁缺勿乱。希望中外读者给予支持、鼓励与批评指正!
[Abstract] in order to promote the Chinese traditional culture -- theory that man is an integral part of nature, Harmony and Perfection, Social commitment, Loyalty filial, piety, resourcefulness, courage, Industrious and kind, constantly strive to become stronger; the Chinese spirit; "Gu Shaohua's poetic Chinese painting Chinese and English version decided to take" the form of "poetic Chinese painting", striving for the international brand position (China influence knowledge of calligraphy painting China, poetic Chinese painting, Confucianism Buddhism and Taoism knowledge, Chinese of calligraphy and painting and so on) "Top, grand, advanced, Better to be short to become a boutique, than Lack not chaos. Hope that Chinese and foreign readers give support, encouragement and criticism!

  






顾绍骅的艺术思想
Gu Shaohua's artistic thought
中国画的发展必须依照“中国方式”——集中国传统文化底蕴(诗、书、画)为一体的观点——“诗情画意”是中国画的灵魂和中国画发展方向……;诗情画意也是世界美术的发展方向。

The development of Chinese painting must be in accordance with the "China" - in China traditional culture (poetry, calligraphy, painting Chinese) as one of the "poetic Chinese painting" - is China painting soul and China painting development direction...... Poetic Chinese painting is also the development direction of world art.

站在世界艺术之林里,中西方绘画并无高低之分,都是文化的产物;都是人类对大自然、人类社会的思索、表现、思考(探求)的方式而已;只是所表现方式的不同:伟大的教育家蔡元培指出:“西画近建筑(理性的,以描摹客观物象为重点),中国画近文学(感性的,以借物抒怀、诗情画意为本源)。”即:西方的绘画近似建筑一般的理性——写实性强;是客观事物的模仿(描摹)。而中国画是近乎文学作品一般的个性强烈,艺术化的客观事物(超然物外、不受具体物象的束缚),因而达到“借景抒情、托物言志”的目的——来源于生活,而高于生活(是生活的提炼,是情感的宣泄)。因而,会按照中国传统文化的方式来表现。





Stand in the forest of world art, There is no difference between Chinese and Western painting, is the product of culture; is of human nature, human society, thinking, thinking (seek ways) only; style is different: the great educator Cai Yuanpei pointed out: "Western painting, Proximity architecture (rational the object is to describe key), Chinese painting Approaching Literature (Borrow, Shuhuai sensitive, poetic Chinese painting origin)." Namely: the general architecture of Western painting approximate rational realism; imitation is the objective things (tracing). The Chinese painting is almost a general literature strong personality, artistic objective things (Be free from things of the world, Not bound by specific things), and thus achieve the "take advantage of a scene to express one's emotion, Talk about ambition from objective things" - from life than life (is a refinement of life, emotional catharsis). Therefore, it will be in accordance with the traditional Chinese culture.


艺术是文化的载体,文化的表现形式;各个画种都有自己的特点,而代表中国民族文化的中国画是具有“诗、书、画”等中国民族文化特征,这是中国画的根本;其最高境界就是“诗情画意”。

Art is the carrier of culture, cultural manifestations; each painting has its own characteristics, and on behalf of Chinese national culture Chinese painting is complex with "poetry, calligraphy, painting Chinese", is China features of national culture, which is the fundamental China painting; its highest is "poetic Chinese painting".

诗书画印的完美结合,己成为民族血脉,这需要向真正有民族责任感和民族文化危机感的人谈论,绘画得力于文化的内涵,他的艺术魅力就被大大的扩充了。远不是昔日师徒相传的工笔重彩所能比拟。单纯地把中国画当成一种技术来评价,从而使中国画丧失了它的丰厚的文化底蕴。中国画核心价值是文化价值的最终体现。绘画是文化的载体,文化升华了绘画的表现。审美属性使传统中国画的创作和鉴藏,都是基于超乎功利的精神领域的,同时,这种超乎功利的创作和鉴藏方式也在不断地纯化着中国画的独特文化价值。中国画是文化人的事情,不是任何会画画的中国人都能成为中国画画家的。

The perfect combination of poetry, calligraphy, painting, seal and so on Chinese art, has become a national blood, this need to have real sense of responsibility for the nation and the national culture sense of crisis, people talk about, thanks to the cultural connotation of painting, his charm was greatly expanded. Not far from the former apprenticeship claboratestyle can match. Chinese painting as a technology to evaluate, so that Chinese painting lost its rich cultural heritage. The core value of Chinese painting is the ultimate embodiment of cultural value. Painting is the carrier of culture, culture sublimation of the performance of painting. The aesthetic attribute enables the creation and identification of traditional painting China reservoir are based on beyond the utilitarian spirit field, at the same time, the more utilitarian creation and appreciation in a way also purified painting unique cultural value Chinese constantly. Chinese painting is a cultural thing, not all the Chinese people can draw Chinese painting artists.

如果把西方绘画比喻为“白雪”,把中国画比喻为“梅花”的话,那么宋代诗人陆梅坡的诗句便解答了二者间的关系:“梅须逊雪三分白,雪却输梅一段香”。(诗的后两句巧妙地托出二者的长处与不足:梅不如雪白,雪没有梅香,回答了“骚人阁笔费评章”的原因,也道出了雪、梅各执一端的根据。读完全诗,我们似乎可以看出作者写这首诗是意在言外的:借雪梅的争春,告诫我们人各有所长,也各有所短,要有自知之明。取人之长,补己之短,才是正理。这首诗既有情趣,也有理趣,值得咏思。)

If the western painting metaphor for the "Snow", the China painting metaphor for the "plum", the Song Dynasty poet Lu Meipo verses will answer the relation among the two: "Plum blossom is not comparable to the white snow, but the snow has lost a plum fragrance". (after the two poems skillfully out two strengths and weaknesses: Mei as snow white, snow is not about "Comments on the, said excellent articles by the cultural people", also out of the snow, according to one plum. Read the poem, we can see the author to write this poem is: borrow White snow and The meaning is implied. plum blossom, warned us also to have each one has his good points, each man has his limitations, Know one's limitations. Overcome one's shortcoming by learning from other's strong points, is right. This poem Both fun, but reasonable interest, Worth thinking.) also

具有悠久历史的中国画,由于特定的历史环境、文化底蕴和民族心理等因素造就了它独特、鲜明的艺术特色和审美体系。如今,中国画实现了历史的跨越,由旧式的古典艺术演进为在中国文化的背景下,具有鲜明时代精神和民族特色的现代艺术形态。这是一个不会中止的过程。相信在未来的岁月里,中国的画家们会更加注重中国画的审美价值,把美的外在与美的内涵结合起来,让古老而又焕发着生命力的中国画放射出迷人的光芒。

With a long history of Chinese painting, due to the specific historical environment, cultural heritage and national psychology and other factors to create its unique, distinctive artistic features and aesthetic system. Today, Chinese painting has achieved a historical leap, from the old classical art to the Chinese culture in the background, with the spirit of the times and national characteristics of modern art form. This is a process that will not stop. I believe in the coming years, China artists will pay more attention to the aesthetic value of Chinese painting, the connotation of beauty and beauty outside together, let old and full of vitality China painting a charming light radiation.

之所以中国画与西方绘画在价格、“影响力”差距颇大 ,究其原因笔者认为:

一、因为清朝后期以来国力、经济的欠发达,外交能力的滞后等等因素,导致我国在世界上地位低下,各个方面竞争力、话语权,不同程度的软弱,以至丧失。

二、中国文化博大精深、含而不露,被称为“包子文化”;西方文化通俗易懂、张扬外显,被称为“匹萨文化”; 中国是包子文化,而西方是披萨文化。包子的馅被包子皮重重裹住,只有咬开包子皮才能够看到里面的馅,披萨则不同,无论是火腿还是牛肉它总是嵌在表面的,让人一目了然。因此上,对中国文化的不了解,也造成其(中国画与西方绘画)价格因素与影响力的不足的重要原因。

三、绘画技法相对于文化内涵是单一,容易掌握;而中国画的丰富文化底蕴,不是表面上的“光鲜靓丽”所能够代表(代替)的。现在,改革开放中国的和平崛起,国力逐渐强盛,经济逐渐发达,国际地位显著提升,我相信富含中国传统文化底蕴的中国画,“诗情画意”特征不断彰显,话语权、影响力也会有空前地提升…,我相信,中国画的价格,在不久的将来,一定会超过油画(西方绘画的“终极”,不过是数码照片的“质感”)价格,创造中国“神话”!

The reason why the Chinese painting and Western painting in the price, "influence" gap is quite large, the reason I think:

Because of the late Qing Dynasty, since the national strength, economic underdevelopment, diplomatic ability lag and so on factors that lead to the low position in the world of our country, all aspects of competence, discourse, different degrees of weakness, and loss.

Two, China culture broad and profound, including but not exposed, known as the "bun culture"; western culture understandable and explicit publicity, known as "pizza culture"; China is steamed culture, western culture. Steamed stuffed bun stuffed bun was heavily wrapped, only to open the skin to be able to see the inside of the "content", pizza is different, whether it is ham or beef it is always exposed to the surface, so that people at a glance. Therefore, the understanding of Chinese culture, but also cause its (Chinese painting and Western painting) price factors and the lack of influence of the important reasons.

Three, painting techniques relative to the cultural connotation is simple, easy to grasp; and rich cultural heritage Chinese painting, not on the surface of the "bright and beautiful" which can represent the (instead of). Now, the reform and opening up China's peaceful rise, national strength gradually strong, the economy gradually developed, international status significantly improved, I believe Chinese rich traditional culture China painting, "poetic Chinese painting" features continuous show, discourse, influence will have unprecedented promotion... I believe that the price of Chinese painting, in the near future, will certainly be more than oil painting (Western painting of the "ultimate", but the digital photo of the "texture") to create the Chinese myth"!

2017年2月3日星期五

Friday, February 03, 2017



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