Resolution Chinese painting is "injured? Ordead"
"Shang",hurt ah. "Shang" Death ah. Also known as "Shang zhe" and"Shang yao".
At present, whetherit is the Chinese painting exhibition, the art market, or painting class, etc.,to see the Chinese painting, basically no Poems Inscribed paintings on; poem inpainting whiteboard". At present, many artists use western painting as areference to the creation of Chinese painting, in order to advocate theintegration of Chinese and Western painting to enhance the "visualimpact" and realism. As a result, the development of China painting notonly lost The nationality of Chinese culture, also once appeared the phenomenonof extreme depression, in which the decision of foreign cultural awarenessunder the will China painting into end; therefore, we cannot Concentrate ontrifles and neglect Essentials, especially the China in international culturalexchanges become more frequent and the realization of The great rejuvenation ofthe Chinese nation, should strengthen the concept of national culture,"poetic Chinese painting" should be the trend of the development ofthe art of painting China.
An example of "oil painting" Chinese painting
Why so"Scene"? The reason: since the late Qing Dynasty from the politicalto incompetence, lack of power, economy, science and technology, military andso on backward factors, resulting in "the Eight-Power Allied Forces,aggressive troops sent by Britain, the United States, Germany, France, tsarist,Russia, Japan, Italy and Austria in to suppress the anti-imperialist Yihetuan1900. Movement of the Chinese people" Advanced weapon"Detonation" in our country, not only is the "Imperial courtMajesty" all lose, even the national faith collapsed; so, Be crazy aboutforeign things and obsequious to foreigners Country Situation mutation because theideas pop and highlights. So that "reformist" deny everything,everything;
Such as KangYouwei: "now you can use western painting beautiful method to remedy theshortcomings of Chinese painting." Chen Duxiu: To improve Chinese painting,we take the of realism in Western painting spirit must." Xu Beihong:Chinese painting for eight hundred years, Especially love use absorbent"paper", see "absorbent Xuan paper" the difficult to showcolor, which is a major obstacle to the progress of painting in." XuBeihong's "western art into Chinese painting, abandon the" line"to pursue" shadows "sketch, makes China painting languageenriched and more image (in the opinion of Qi Baishi: Very secular, Carpentergas. Moreover, the technique is explicit, relative to the cultural connotationis simple, easy to master But it ignores the China painting; culturalconnotation and cultural heritage; painting techniques relative to the culturalconnotation is simple, easy to master; and The rich cultural background ofChinese painting, not on the surface of the "Bright and beautiful" torepresent (instead), it is not easy to master.
To know thatthere is no way out behind others. (since August 19, 1839 the French painterDaguerre announced his invention of the "Silver Edition Daguerrephotography", then the birth of the world's first portable wooden boxcamera. Western artists began to think about whether the realistic style in theend. So, in the "Barbizon school", "western impressionism,Fauvism, abstract art, surrealism......" Paintings of the West has becomea "mainstream" or development; artist Pollock, Monet, Van Gogh,Picasso's work is not "realism" of his works are very popular: Monet,Manet's works "without modification and obvious brush strokes, thecomposition of boundless, especially in light of the changing time theimpression...")...
From theartistic perspective, the "54" period of "Art Revolution"to China painting decline backward to the high-mindedness of literati paintingand freehand brushwork, which advocates the spirit of realism to replace thetraditional literati painting, is quite shallow. Because the literati paintingpursuit of high-mindedness is a more pure humanistic connotation of literatipainting, Traces of Chinese brush and Thought soul directly corresponding tothe object of art is beyond the mark to rely on a very high level, but also theliterati and officialdom (in feudal China) high-mindedness Advanced ideas inThe surface of the connotation the object., the China literati painting came toTraces brush and Thought Chinese of corresponding soul level. In particular,when the "54" period of the introduction of western thinkers realism,traditional European realism is undergoing transformation, this transformationis precisely the pursuit of pure humanistic connotation, and the Get rid ofnarrative, the picture depicting images into Thought soul, brush stroke in andcolor painting and correspond directly to Traditional culture the height ofcalligraphy.
In fact, sinceChen Duxiu put forward the "Against Chinese painting method" began,it was realized that the above problems traditional. As Chen Shiceng said:"Chinese Painting Not seeking the shape is the progress of Chinesepainting". Not." "In order to paint a person, after theappearance of the stage, the performance must be from the shape of the method,to the stage of not like, forget the sound of music, horse gallop, tour inNatural division that also. Western painting can be said to be very image,since nineteenth Century, with the scientific truth of light and color, and theimages and the recent experience in; after Impressionism, but act in adiametrically opposite way, not heavy object, subjective time. Cubism,futurism, performance school and other joint performances, the transformationof their thinking is enough to see the shortcomings of the "Pursuitshape"."
As the Westernpainter Ni Yide also recognized: "now that China painting is notdifficult, about holding two biggest reasons, first, traditional Chinesepainting is different from scientific methods, such as profile is not accurate,light dark respectively, the distance of the different perspective, color istoo simple, so they want to the method of Western painting combined with ourpainting, to the other as a compromise; second, said China painting all thematerial is too simple, not enough to fully show the images, then hastily putbetween the western painting materials to replace. But I think these two arenot very important, because it is just the object depicted very accurately. Butunlike the problem, the art can not be established.
What isimportant in art is the internal revolution caused by the object.""The most important thing is the change of attitude. Now the generalattitude of the Chinese painting, imitation, chasing, fantasy...... But withthe real life too far away, so we should take this attitude change, fromimitation to reality from fantasy to sense "," to seek a new poeticChinese painting, the new old "," to the performance of the newpainting". Huang Binhong is in "on" the future Chinese artarticle aware of "Western painting, also by the impression ofabstractions, and points for things Artistic skill gradually lines, reach,Gradually fit with the East".
Lang Shining'spainting is a typical combination of Chinese and western, his works afterKangxi, the palace painting Dean Zou Yigui to come, let him comment. Zou Yiguilooked up and said, "Good painting, No not participate in theevaluation." It is said that the painting is very like, very fine, but notworth going to participate in competitions, can also be understood as not judge(although painters Lang Shining's works fine, but the lack of China traditionalculture, but not as good China painting).
Can not bedenied, "the spread of Western influences to the East" on the"Shape color" and so on Chinese painting techniques, has abundant;however, because Chinese painting form, and give up Chinese painting soul("shape Above of Thought poetic Chinese (painting) - China traditionalculture) is not worth; this is not the nation confidence caused by; such"ethnic inferiority "already exists China painting for more than and 100years! Has China painting "vitality" big break, if not timely remedy,The quintessence of Chinese culture - Chinese painting will become westernpainting "accessories" and the real war died......!
This is notalarmist Author: September 12, 2014 at eight o'clock, CCTV "Paintingchannel" broadcast "to celebrate the eight anniversary of the launchof the program, the program has invited China academy vice president Lu Yushun,Chinese association secretary general Xu Li, director of the researchdepartment, Art Museum of China art critic Liu Xilin, art critic andindependent curator. Chinese Art Institute of art history, Dr. Zhu Qi talkedabout the development of Chinese painting, contemporary painting has beenconsidered Chinese "Europeanization": an Department of Chinesepainting and academy, oil painting exams are the same test sketch, color, andChinese painting "must have" discipline of calligraphy, lyrics,poems, ancient Chinese everything is blank...... Now, let the teacher; Academyof fine arts professor writing "Poems", it is not realistic.......
China great educator Cai Yuanpei pointedout: "western building (near rational, to describe the object as the key),China (literature draws near sensibility, Borrow Shuhuai, poetic Chinesepainting origin)." That is to say, the western painting is similar to thegeneral rationality of architecture, which is the reality; it is the imitationof objective things (Sketch). The Chinese painting is almost a generalliterature strong personality, since the Song Dynasty, the mainstream view ofpoetry and painting are. Su Dongpo Wang Wei said: "Painting-in-poetry,There is poetry in a painting". Poetry is not straightforward, thecreation of metaphor to express spirit realm, which requires rich culturalheritage. Draw your poetic, since the Song Dynasty as a whole, we must inheritthe quintessence of excellence. The pursuit of "metaphysical", thespirit of things: the art of the objective things (not bound, be free fromthings of the world of specific objects, and thus achieve the "take)advantage of a scene to express one's emotion, Material support Ambition"- from life than life (which is a refinement of life, emotional catharsis).
This painting realm, has eliminated the "non utilitarian, is everything" and so on! As the educational function of the story, not a little bit of cheating, no love for low-level and deliberately contrived beautiful spectators. Everything in the world of images, but it is under the guise of form only; Nizan draw bamboo, hemp grass is not, nor can anyone out of reed, just borrow; Nizan draw bamboo in the world to express their longing for a better life, or showing modest upward, upright and outspoken feelings! So we can see: "China painting" performance, the specific shape is not "copy, imitation" everything in nature, but express their own feelings; this is the return to the essence of art progress.
Stand in theforest of world art, Chinese painting and Western painting are equal, is theproduct of culture; is of human nature, human society, thinking, thinking (seekways) only showed different ways:If the westernpainting metaphor for the"Snow", the China painting metaphor for the"plum", the SongDynasty poet Lu Meipo verses will answer therelation among the two: "Plumblossom is not comparable to the white snow,but the snow has lost a plumfragrance". (after the two poems skillfullyout two strengths and weaknesses:Mei as snow white, snow is not about"Comments on the, said excellentarticles by the cultural people",also out of the snow, according to oneplum. Read the poem, we can see theauthor to write this poem is: borrow Whitesnow and The meaning is implied.plum blossom, warned us also to have each onehas his good points, each man hashis limitations, Know one's limitations.Overcome one's shortcoming by learningfrom other's strong points, is right.This poem Both fun, but reasonableinterest, Worth thinking.) also
Each nation'spainting has its own characteristics, on behalf of the national culture ChinaChina painting is a "poetry, calligraphy, painting Chinese" Chinacultural characteristics, which is the fundamental Chinese painting; itshighest is "poetic Chinese painting".
Theperfectcombination of poetry, calligraphy, painting, seal and so on Chineseart, hasbecome a national blood, this need to have real sense of responsibilityfor thenation and the national culture sense of crisis, people talk about,thanks tothe cultural connotation of painting, his charm was greatly expanded.Not farfrom the former apprenticeship claboratestyle can match. Chinesepainting as atechnology to evaluate, so that Chinese painting lost its richculturalheritage. The core value of Chinese painting is the ultimate embodimentofcultural value. Painting is the carrier of culture, culture sublimation oftheperformance of painting. The aesthetic attribute enables the creationandidentification of traditional painting China reservoir are based on beyondtheutilitarian spirit field, at the same time, the more utilitarian creationandappreciation in a way also purified painting unique cultural valueChineseconstantly. Chinese painting is a cultural thing, not all the Chinesepeoplecan draw Chinese painting artists.
The developmentof Chinesepainting must be in accordance with the "China" - inChinatraditional culture (poetry, calligraphy, painting Chinese) as one ofthe"poetic Chinese painting" - is China painting soul and Chinapaintingdevelopment direction...... Poetic Chinese painting is also thedevelopmentdirection of world art.（Gu Shaohua's artistic thought）
Today, therevival of Chinese traditional culture, Kuangfu China painting, to improveChina's cultural soft power, it is the same Chinese we dream we are duty bound,million people united as one man; begin from me, start from now on! Believethat the rise of the Chinese nation, strong, in the "tomorrow"!!!
Welcomecriticism, guidance, communication!